Sunflower Bean is featured in Penny Issue 2.2! Read a preview of Isabel's piece about the band now!

Just Mustard is featured in the next Penny print issue - check out the issue preview now!

Check out key singles from the 2022 records we're looking forward to hearing in full!

In this new editorial, Erin C. examined her coverage of Snail Mail's shows in Boston over the past four years.

Dylan examines the appeal of one of the newest additions to the "British guitar music scene," Wet Leg.

Carly takes a deep-dive into the monumentally influential history of Latin Punk, covering bands such as The Bags and The Zeros.

Caroline spoke with Boston musicians Alana Amore + Damali Willingham about their experiences as Black queer musicians in this new editorial.

Isabel breaks down the career and impact of incomparable NYC funk rock group ESG in this new editorial.

We compiled our Spotify Wrapped data to compare our results. What were your's?

Erin D. spent three days at this year's Pitchfork Fest in Chicago - check out her recap here!

Erin D. is attending Pitchfork Fest this weekend — check out a list of the artists she's most pumped to see!

Isabel took a look at her past fixation on The Stroke in this new personal essay.

Sarah returned to Phoebe Bridgers' hit album, Punisher, to write her take on its impact, one year after its release.

In the most recent addition to the Love Letter series, Meg addresses Billie Eilish and her resilience in the face of criticism. Read here!

As part of Penny's ongoing Love Letter series, Erin D. wrote a letter to the ever-iconic Florence Welch. Read it here!

Roughly one year since the start of the pandemic, the Penny team recalls the last concerts they attended.

In the first letter of the Love Letter series (prompted by International Women's Month), Maans addresses Ashe.

For this article, Erin C. crowdsourced to compile a listicle of Boston artists that are deserving of recognition.

In this editorial piece, Alexandra takes a look at the different types of music she was into during various stages of her life.

(TW!) In this op-ed, Erin C. tackles her mixed emotions regarding being a music journalist.

Read Giliann's account of growing up with Marina here!

The Boston music community reminisces on the times they had at the venue Great Scott following its closure earlier this year.

Without live shows, artists, fans, and show promoters have attempted to adapt.

Despite the pandemic’s devastating effects on the music industry, musicians have turned their situation around and learned to adapt.

In Boston and across the globe, live venues have remained empty since the pandemic began.